Osnat Netzer /osˈnat ˈnɛtsɛʁ/ is a composer, performer and educator. Osnat creates her compositions collaboratively, tailoring her work to the performer’s sensibilities, physicality and improvisational inclinations. She takes inspiration from cognitive linguistics, and in dialogue with the embodied experience of physical forces, such as potential and kinetic energy, resulting in compositions that are rich in musical languages and connected to the fulsome pursuit for tension and relaxation.

Born in Haifa, Israel, Netzer studied composition and piano at the Jerusalem Academy of Music and Dance, where her primary composition teacher was Menachem Zur. She came to the United States in 2003 for graduate studies in composition with Robert Cuckson at Mannes school of Music and continued her studies with Lee Hyla at New England Conservatory, where she earned her doctorate in 2011. In 2019, she joined the faculty of DePaul University, where she is now Associate Professor of Composition and Musicianship.

Netzer’s works have been commissioned and performed by Ensemble Dal Niente, ICE (International Contemporary Ensemble), Patchwork, mezzo-soprano Lucy Dhegrae, bass David Salsbery Fry, saxophonists Kenneth Radnofsky, Doug O’Connor and Geoffrey Landman, Spektral Quartet, and Winsor Music, among many others, published by Edition Peters and earthsongs, and recorded on Bridge Records and New Focus Recordings.

Her opera, The Wondrous Woman Within, was described as “riotously funny” in The New York Times when its first scene was performed at New York City Opera’s VOX festival in 2012 and “challenging and fascinating” by critic Amir Kidron when it received its World Premiere in a sold out run at Tel Aviv’s Cameri Theatre in 2015.

As a pianist and performer, she regularly plays and conducts new music by fellow composers, as well as her own songs and compositions. Also a committed and passionate educator, Netzer teaches at The Walden School and has served on the faculties of New England Conservatory, Longy School of Music of Bard College and Harvard University

Erika Oba is a composer, pianist/flutist, and educator based in the SF Bay Area. As a composer she has written works for big band, small jazz ensembles, chamber groups, dance and theater. She is active as a performer on both piano and flute, and performs with her own groups the Erika Oba Trio, Ends Meat’ Catastrophe Jazz Ensemble, Rice Kings, and The Sl(e)ight Ensemble. She has also performed with the Hitomi Oba Ensemble, Peter Apfelbaum's Sparkler, Jason Levis and Lisa Mezzacappa’s Duo B Experimental Band, and many other jazz and experimental bands in the Bay Area. In 2021, she was one of the performers in the premiere performance of Meredith Monk’s Indra’s Net. She has worked as a dance accompanist for Mills College and Berkeley Ballet Theater, and is currently a resident music director with Berkeley Playhouse’s Youth Conservatory Program. In addition to her own private teaching studio, she is a private jazz piano instructor for UC Berkeley’s Music Department.

Past artistic projects include a collaboration with choreographer Sammay Dizon, through the Red Poppy Art House’s inaugural Crossover Residency program in 2016. She was a performer fellow with Giant Steps Music Action Lab in 2017, during which she collaborated with an international group of musicians and recorded the album What If. In 2018, she was a composer fellow with the Gabriela Lena Frank Creative Academy of Music and worked with the Del String Quartet. She was the recipient of a 2019 Civics Art Grant from the City of Berkeley, and collaborated with playwright Weston Scott to write an original musical. She is a 2023 fellow in the inaugural cohort of the Asian Improv Arts Fellowship program.

As an artist, she is interested in exploring ritual, diasporic identities, and community through performance. She received her BM in Jazz Piano Performance from Oberlin Conservatory and her MA in Music Composition from Mills College.